JJCD004
THE DANIEL KUFFER QUARTET - 'Live!'

1. WAYNE'S WORLD (Kuffer)
2. BAZARUTO (Kuffer)
3. LOVE ME TENDER (Matson/Presley)
4. DON'T (Leiber/Stoller)
5. BERNIE'S BOUNCE (Kuffer/Fishbacher)
6. LE BAL DES SINGES (Kuffer/Fischbcher)

DANIEL KUFFER - TENOR AND SOPRANO SAXOPHONES
JEAN-YVES JUNG - PIANO
PHILIPPE AERTS - BASS
STEVE GRANT - DRUMS

During the past five years the Daniel Küffer Quartet has performed at over three hundred live concerts for appreciative audiences all over Europe. These four musicians continually probe the boundaries of the contemporary jazz scene, striving for a stronger and more personal identity, while keeping their individual contributions firmly within the jazz tradition.

Daniel Küffer's various musical projects from this five-year period have already been documented on four critically acclaimed CDs, and this new 'live' CD offers a retrospective view of some of this material. At the same time it provides the perfect opportunity for introducing the public at large to the present members of the quartet.

Saxophonist Daniel Küffer is one of the most prominent Swiss jazz musicians of his generation, and leads this new version of his quartet with a natural stage presence and a wealth of musical experience.
At 25, French pianist, Jean-Yves Jung, is the youngest member of the quartet. He is a uniquely inventive soloist - equally at home in the quartet's rhythm section. He is also currently a regular member of Billy Cobham's Jazz Project.
Belgian, Philippe Aerts, a superb bassist with a strong, natural, sound, has only recently returned to Europe from New York where he was a member of the Toshiko Akiyoshi/Lew Tabackin Jazz Orchestra. A self-taught musician, Philippe has appeared with many of the American jazz musicians who regularly visit Europe, including such illustrious names as Joe Henderson, Mal Waldron, and Lee Konitz.
Drummer Steve Grant, originally from Liverpool, England, has been a member of the Daniel Küffer Quartet since 1997. Thirty-four year old Grant, who has been on the road professionally since the age of fifteen, had already performed at the Montreux Jazz Festival on two separate occasions before he was 21. His propulsive drive and fluid adaptability provide a solid foundation for this accomplished rhythm section.

Wayne's World, the opener on this set, and the first of three Küffer originals, is a jazz waltz named for Wayne Shorter. In this live version, sympathetic support from Steve Grant and Philippe Aerts allow both Daniel Küffer and Jean-Yves Jung ample space to 'stretch-out' and fully explore this delicate piece.

Don't is, believe it or not, the Daniel Küffer Quartet's deconstruction of a song made popular by Elvis Presley, and was originally recorded on their fourth CD, 'Playing Elvis'. I don't think that there has ever been a version quite like this one! Küffer's intriguing arrangement transforms this pop tune into a jazz ballad. Well worth listening to on this 'live' version are the contributions of both Philippe Aerts and Jean-Yves Jung.

Love Me Tender is a Hollywood melody from the movie of the same name, the original version being a huge commercial hit for Elvis Presley. From the same album as 'Don't', it receives the full Küffer treatment, and as a result is completely transformed. The original melody is explored by using various devices including different time signatures, rubato, a range of tempos, and unexpected re-harmonisations. Solos are kept predominantly to the hard swinging medium tempo section, and 'free' quotes from the initial theme are employed by each soloist to provide a 'peak'. Finally, the quartet exit by riding-out on an unexpected relaxed and airy Latin groove.

The exotically flavoured ballad, Bazaruto is an early composition by Daniel Küffer and was featured on the quartet's very first CD, released in 1995. Named after the island of Bazaruto, just off the coast of Mozambique, it mirrors the location's unique and spectacular beauty in a sound-scape evoking the ebb and flow of the waves on the island's shore. In this 'live' version the relaxed ambience of the theme opens up into some memorable solo performances, where the quartet relaxes and allows every note to find its own space.

Bernie's Bounce is a tune full of swing and energy. This 'live' version illustrates the way in which jazz players expose themselves to ideas in a manner which many of them would be extremely reluctant to consider in a studio setting where time and money matters, more often than not, tend to predominate.

Le bal des singes makes liberal use of a New Orleans rhythmical device usually referred to as 'Second Line' and provides a fitting and funky climax to this CD. Listen out for Philippe Aerts bass solo, building from a very simple motif into a complex harmonic and rhythmic structure. Daniel Küffer's tenor sax solo avoids all those worn-out quotes you've heard so many times before, and finally Steve Grant takes it 'on home' with an inventive and powerful solo performed over the steady 'comping' pattern provided by the other members of the quartet.

The material contained on this CD was recorded over a two-week period in autumn of 2000 during the quartet's tour of Switzerland and Germany

BOB HARDY

For more complete and up-to-date information about the Daniel Küffer Quartet, visit their web site at www.dk4.net